The Device of Photography:Camera:
Photograph taken by camera obscur
History of Camera:The history of the camera can be traced back much further than the introduction of photography. Photographic cameras evolved from the camera obscura, and continued to change through many generations of photographic technology, including Daguerreotypes, calotypes, dry plates, film, and digital cameras
CAMERA OBSCURA:The camera (or 'camera obscura') is a dark room or chamber from which, as far as possible, all light is excluded except the light that forms the image. The subject being photographed, however, must be illuminated. Cameras can range from small to very large, a whole room that is kept dark while the object to be photographed is in another room where it is properly illuminated. This was common for reproduction photography of flat copy when large film negatives were used. A general principle known from the birth of photography is that the smaller the camera, the brighter the image. This meant that as soon as photographic materials became sensitive enough (fast enough) to take candid or what were called genre pictures, small detective cameras were used, some of them disguised as a tie pin that was really a lens, as a piece of luggage or even a pocket watch (the Ticka camera)
DaguerreotypesThe daguerreotype ( French: daguerréotype) was the first commercially successful photographic process.
Louis Daguerre and Joseph Nicéphore Niépce (who was Daguerre's partner, but died before their invention was completed) invented the first practical photographic method, which was named the daguerreotype, in 1836. Daguerre coated a copper plate with silver, then treated it with iodine vapor to make it sensitive to light. The image was developed by mercury vapor and fixed with a strong solution of ordinary salt (sodium chloride).
CALOTYPES:Calotype or talbotype is an early photographic process introduced in 1841 by William Henry Fox Talbot, using paper coated with silver iodide. The term calotype comes from the Greek Meaning 'beautiful impression'.
DRY PLATES:The collodion process is an early photographic process, which was replaced at the end of the 19th century with dry plates—glass plates with a photographic emulsion of silver halides suspended in gelatin. The gelatin had the effect of greatly increasing the speed of the plates enabling shorter exposure times.
Collodion dry plates had been available since 1855, thanks to the work of Désiré van Monckhoven, but it was not until the invention of the gelatin dry plate in 1871 by Richard Leach Maddox.
Also, for the first time, cameras could be made small enough to be hand-held, or even concealed. There was a proliferation of various designs, from single- and twin-lens reflexes to large and bulky field cameras, handheld cameras, and even cameras disguised as pocket watches, hats, or other objects.
KODAK AND THE BIRTH OF FILM:The use of photographic film was pioneered by George Eastman, who started manufacturing paper film in 1885 before switching to celluloid in 1889. His first camera, which he called the "Kodak," was first offered for sale in 1888. It was a very simple box camera with a fixed-focus lens and single shutter speed, which along with its relatively low price appealed to the average consumer. The Kodak came pre-loaded with enough film for 100 exposures and needed to be sent back to the factory for processing and reloading when the roll was finished. By the end of the 19th century Eastman had expanded his lineup to several models including both box and folding cameras.
In 1900, Eastman took mass-market photography one step further with the Brownie, a simple and very inexpensive box camera that introduced the concept of the snapshot. The Brownie was extremely popular and various models remained on sale until the 1960s
Digital Photography:Traditional photography burdened photographers working at remote locations without easy access to processing facilities, and competition from television pressured photographers to deliver images to newspapers with greater speed. Photo journalists at remote locations often carried miniature photo labs and a means of transmitting images through telephone lines. In 1981, Sony unveiled the first consumer camera to use a charge-coupled device for imaging, eliminating the need for film: the Sony Mavica. While the Mavica saved images to disk, the images were displayed on television, and the camera was not fully digital. In 1991, Kodak unveiled the DCS 100, the first commercially available digital single lens reflex camera. Although its high cost precluded uses other than photojournalism and professional photography, commercialdigital photography was born.
Digital imaging uses an electronic image sensor to record the image as a set of electronic data rather than as chemical changes on film. The primary difference between digital and chemical photography is that chemical photography resists photo manipulation because it involves film and photographic paper, while digital imaging is a highly manipulative medium. This difference allows for a degree of image post-processing that is comparatively difficult in film-based photography and permits different communicative potentials and applications.
Digital imaging has raised ethical concerns because of the ease of manipulating digital photographs in post-processing. Many photojournalists have declared they will notcrop their pictures, or are forbidden from combining elements of multiple photos to make "photomontages," passing them as "real" photographs. Today's technology has made photo editing relatively simple for even the novice photographer. However, recent changes of in-camera processing allows digital fingerprinting of photos to detect tampering for purposes of forensic photography
CAMERA OBSCURA:The camera (or 'camera obscura') is a dark room or chamber from which, as far as possible, all light is excluded except the light that forms the image. The subject being photographed, however, must be illuminated. Cameras can range from small to very large, a whole room that is kept dark while the object to be photographed is in another room where it is properly illuminated. This was common for reproduction photography of flat copy when large film negatives were used. A general principle known from the birth of photography is that the smaller the camera, the brighter the image. This meant that as soon as photographic materials became sensitive enough (fast enough) to take candid or what were called genre pictures, small detective cameras were used, some of them disguised as a tie pin that was really a lens, as a piece of luggage or even a pocket watch (the Ticka camera)
DaguerreotypesThe daguerreotype ( French: daguerréotype) was the first commercially successful photographic process.
Louis Daguerre and Joseph Nicéphore Niépce (who was Daguerre's partner, but died before their invention was completed) invented the first practical photographic method, which was named the daguerreotype, in 1836. Daguerre coated a copper plate with silver, then treated it with iodine vapor to make it sensitive to light. The image was developed by mercury vapor and fixed with a strong solution of ordinary salt (sodium chloride).
CALOTYPES:Calotype or talbotype is an early photographic process introduced in 1841 by William Henry Fox Talbot, using paper coated with silver iodide. The term calotype comes from the Greek Meaning 'beautiful impression'.
DRY PLATES:The collodion process is an early photographic process, which was replaced at the end of the 19th century with dry plates—glass plates with a photographic emulsion of silver halides suspended in gelatin. The gelatin had the effect of greatly increasing the speed of the plates enabling shorter exposure times.
Collodion dry plates had been available since 1855, thanks to the work of Désiré van Monckhoven, but it was not until the invention of the gelatin dry plate in 1871 by Richard Leach Maddox.
Also, for the first time, cameras could be made small enough to be hand-held, or even concealed. There was a proliferation of various designs, from single- and twin-lens reflexes to large and bulky field cameras, handheld cameras, and even cameras disguised as pocket watches, hats, or other objects.
KODAK AND THE BIRTH OF FILM:The use of photographic film was pioneered by George Eastman, who started manufacturing paper film in 1885 before switching to celluloid in 1889. His first camera, which he called the "Kodak," was first offered for sale in 1888. It was a very simple box camera with a fixed-focus lens and single shutter speed, which along with its relatively low price appealed to the average consumer. The Kodak came pre-loaded with enough film for 100 exposures and needed to be sent back to the factory for processing and reloading when the roll was finished. By the end of the 19th century Eastman had expanded his lineup to several models including both box and folding cameras.
In 1900, Eastman took mass-market photography one step further with the Brownie, a simple and very inexpensive box camera that introduced the concept of the snapshot. The Brownie was extremely popular and various models remained on sale until the 1960s
Digital Photography:Traditional photography burdened photographers working at remote locations without easy access to processing facilities, and competition from television pressured photographers to deliver images to newspapers with greater speed. Photo journalists at remote locations often carried miniature photo labs and a means of transmitting images through telephone lines. In 1981, Sony unveiled the first consumer camera to use a charge-coupled device for imaging, eliminating the need for film: the Sony Mavica. While the Mavica saved images to disk, the images were displayed on television, and the camera was not fully digital. In 1991, Kodak unveiled the DCS 100, the first commercially available digital single lens reflex camera. Although its high cost precluded uses other than photojournalism and professional photography, commercialdigital photography was born.
Digital imaging uses an electronic image sensor to record the image as a set of electronic data rather than as chemical changes on film. The primary difference between digital and chemical photography is that chemical photography resists photo manipulation because it involves film and photographic paper, while digital imaging is a highly manipulative medium. This difference allows for a degree of image post-processing that is comparatively difficult in film-based photography and permits different communicative potentials and applications.
Digital imaging has raised ethical concerns because of the ease of manipulating digital photographs in post-processing. Many photojournalists have declared they will notcrop their pictures, or are forbidden from combining elements of multiple photos to make "photomontages," passing them as "real" photographs. Today's technology has made photo editing relatively simple for even the novice photographer. However, recent changes of in-camera processing allows digital fingerprinting of photos to detect tampering for purposes of forensic photography
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